We are delighted to present Edgar Lushaju’s film The Ujamaa Stool on our Digital Array.
Inspired by Julius Nyerere’s (1922–1999) African socialist concept of ‘Ujamaa’ (familyhood), Lushaju explores a contemporary Tanzanian interpretation through the deconstruction and reconstruction of a traditional wooden stool. In this film, we witness the stool become an embodiment of Ujamaa as Lushaju works with Makonde tribesman and sculptor Lyala. It highlights the sociological interdependence that exists within everyday cultural, traditional, and contemporary life in Tanzania, and how the spirit of Ujamaa is being reimagined.
Edgar Lushaju
Edgar Lushaju is a Tanzanian artist with a background in architecture who dedicates himself to inspiring curiosity and engaging imagination through creative storytelling. He is also a father to two curious boys, whom he says ‘challenge his own creativity and train him in patience’. The art of placemaking drives Edgar. After moving to the UK, he sought a way to articulate a specific sense of belonging he felt was missing, this led him to the concept of ‘Place Identity’. Since then, he has striven to embed the narrative of his origins – geographically, socially, and culturally – into every work he creates. Lushaju’s practice utilises both literal depictions and embodied concepts, weaving ‘stories within stories’ to explore his heritage. He is deeply passionate about highlighting the complexities and unique microclimates of global majority cultures and traditions.
Lyala
Lyala is a Tanzanian sculptor who works primarily in wood. A Makonde tribesman, who have long practiced carving as a vital cultural expression, he learned the craft from his father. Today, Lyala continues this tradition at the Mwenge Carvers Market in Dar es Salaam, where he practices his craft as a primary source of income.